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Showing posts with label Judy Trammell. Show all posts
Showing posts with label Judy Trammell. Show all posts

April 15, 2012

DCC Preliminaries Audition Advice


How to Arrive at Cowboys Stadium

The weather is unpredictable, but spring in Texas means moist mornings. The last thing you want to do is stand in line for over two hours in humid air and let your hair-sprayed hair; you woke up two hours early to curl and fall. I suggest arriving with your full makeup on and your hair nicely straightened or blow-dried. I say that because this is the only day you do not need to be “practicing” a routine, either DCC choreography or your own solo, once you get inside Texas Stadium. Therefore, you will have at least an hour of time to do nothing except "fluff & puff," i.e., curl your hair and even have help from all the other hopefuls. This means your hair will not look like it has too much product from having to do it twice. Many also arrive in curlers and don't take their hair down until inside, which is another way of avoiding doing it twice.


One way to get that perfect Texas Hair is to tease your roots (don’t overdo it) and then curl the bottoms. You want to curl AWAY from your face; this will give your hair lightness and help if stay curled throughout the day. Since I am not a talented teaser, my favorite product is the new hair-body boosting powder by Aveda. I lift an inch worth of hair from my natural part on both sides and sprinkle a line of the powder evenly. Then, gently run your fingers front to back to activate it. This will boost your hair and also help keep it dry and high.  Whatever makes you look best and stand out is the hairstyle you want to go with.


Remember, it is not about everyone else, it is only about you. Do not compare yourself, your hair, or your outfit to everyone else; it is only about what you do on the dance floor and how inspiring your smile is. You got this! 


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March 9, 2012

DCC Audition Advice - from Kalli Fullerton 2012 (from season 1 and season 6)

Even though there was a six-year gap between the two times I went through the Dallas Cowboys Cheerleaders training camp, what they say is true; some things never change. I will write a few advice blogs for those auditioning for DCC in 2012. These tips and insights will not be what you find on the DCC website or be outlining the obvious. After auditioning twice and staying in training camp until days before the Squad Photo both times, I want to share the critical lessons I learned that might help other women in their endeavors.

Preparing for preliminaries can be overwhelming simply because the situation is so unpredictable. You will dance in small groups to one of the four or five songs the judges have picked. In my experience, the choices included at least one hip-hop/rap song and one bubbly (girl “Katy Perry-ish”) song, along with other top 40s songs.  Therefore, I would suggest listening to Pandora’s Rihanna Playlist and having a freestyle in your living room. In both years, I prepared three eight-counts worth of choreography. In 2011, to prepare for this round, I danced this small piece of choreography over and over to the top 20s. Of course, for the first 15 seconds of my “performance,” I asked myself, “Are you serious? You can’t remember that simple dance you have practiced for three months!” And it never came to me… Oh well.  Regardless, practice a variety of music, both slow and fast. 

You Do Not Have to Follow the Crowd
Make sure you are comfortable in the shoes, but keep in mind, especially for the last two rounds, a lightweight, white sneaker (the DCC preferred) will help you be more stable and get that foot higher in the air for the kick lines. If you make it to training camp, you will also want to wear white sneakers. I had a Puma pair that worked out great. This leads me to important advice: You Do Not Have to Follow the Crowd!!! Just because everyone else bought the expensive Air Nike doesn’t mean you have to. Just because everyone got their audition outfits handmaid and ornamented with Schwartzki crystals does not mean you have to.  Just because everyone else gets a Brazilian Blowout or Eye eyelash extensions does not mean you have to. And believe me, the DCC audition process is plagued with these temptations from beginning to end. The reason these things do not matter is the greatest advice of all…. 


You are not competing against anyone except yourself. 

That might seem strange since you are technically at Texas Stadium by 7am, looking better than you did for prom, to compete against hundreds of girls. But honestly, you are there to make yourself stand out and let Kelli and Judy decide if you fit. There is no perfect number. Throughout my first time at training camp, I counted down the girls and prayed to be the 36th girl. I was 37th, and they took a squad of 35. That is because I WAS NOT RIGHT for the squad, not because someone else beat me out.  The squad is not built on a number. It is built on the women with the skill to be DCCs who attend auditions. You either are, or you are not. That can change from year to year, of course.  So forget all the fluff, avoid rivalries, and focus on yourself and your strengths. If you make it to training camp, help each other and be there to support one another because no one is your enemy; it is all up to you. Everyone is fighting their own battle. If it is to be a better dancer, have a better memory, gain more maturity, or get in better shape, that is your battle and what you need to focus on. 


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December 7, 2011

DCC: Letting Go - Kalli Fullerton's Goodbye to Seasons 2 and attempt number 2

After being called into the office, when Brittany was asked to help me through the last week, I left training camp knowing my future was not stitched with blue and white.  As you might have been able to tell from the cameo shoot, my heart had begun to face that being a DCC was not a likely possibility. At the last performance night before the photo shoot we were asked to perform a dance with two versions. We had learned the extended version the night before and were told, almost as a fleeting thought, something like, “We also do this to another song and change the order.” Well, of course, the next night, Kelli and Judy asked to see the version I had not even practiced (ironically choosing to rigorously rehearse the long version, thinking Kelli and Judy would surely ask to see it).

 As you can tell, I am exactly an 8-count ahead of my group. When the routine called for the first glance to the right, I felt a dagger in my stomach.  I felt like everything was in slow motion as I took a deep breath and told myself, “You have to keep going.” It was a tough internal battle, and my smile was almost painful. Realizing you have been completely off when seconds before you were confident and possibly enjoying performing for the first time all summer is, to say the least, discomforting. I reluctantly tried to block the reality out of my mind and focus. Rather than perform for the cameramen in front of me, I amateurishly directed my attention to Marie in hopes of remembering the 2nd version of the routine.

Kelli and Judy’s song choices during performance nights are something I resisted up until my last performance in front of them at Cowboys Stadium. Regardless of the songs I thought they would choose both in 2011 and 2006, Kelli and Judy seem to be devoted to their favorite handful. Unfortunately, I think whatever your least favorite dance is, that’s the one your group always gets, while you only get to perform your favorites for your reflection in the mirror. Every performance night, my group was given the most hip-hop of dances to a song I had never heard before camp.  And sure enough, that was the last dance I will ever perform in my life.

Once the night had ended, I felt like it was surely my last. Being called into the office with Brittany was difficult. I had grown to adore her, and when she said before Kelli and Judy even asked her to help, “I want her on the team too,” I lost it. I am not sure I would have taken the second chance if Brittany had not been in the room. That week of camp, one of the veterans said that when she was going through her first year of training camp, a vet told her, “Remember, you love to do this!” And I looked down at the floor and thought, “do I love this?”  I love to perform, and I would have loved to cheer on the Cowboys and be all that is a DCC. However, only someone truly a dancer by heart can dedicate that much time to DCC and have it fill their spirit. This would have been true even for me in 2006, but my ambitions had changed by the time I had the opportunity to try out again when I wasn't in school. 

I auditioned again because I had wanted to be a DCC for as long as I can remember, but mostly because during my time at training camp in 2006, I saw what a family the cheerleaders are to each other. I longed to be a part of a beautiful group of women who got to experience all the things reserved for their special feet alone. From a distance, seeing the lifelong friendships I might have been a part of is one of the hardest things to overcome. That desire to be part of those friendships and the organization as a whole is what ultimately brought me back.

Waking up the day of the first field practice, I was both nervous and sad. Sitting in front of my mirror propped up against the wall, with my makeup spread out all around me, I felt like I was going into battle. I put on my makeup like it was the last time I would do so. I did not rush and finally had time to straighten my hair. It felt like the last time, and I soaked it in. 



I packed my bag and slowly pulled myself into my car to face the giant. I stopped at the gas station and picked up a large water, two energy bars, skittles, a chicken sandwich, and a Dr. Pepper. Unfortunately, I only got one gulp of the Dr. Pepper and a mouth full of skittles down before I hit the field. I arrived at Cowboys Stadium three hours before the actual practice start time. This was to film Britt and me practicing. Before this moment, I would have defended the show as “reality.”

Even though the entire story for each TCC cannot be told, and there will always be gaps, I have to say the events you see for most of the show are real. Yes, some moments are “created” (the rolling out of the white board… both auditions that took at least 5 takes), but those moments did happen and reflect reality, just from a better angle. These “better angle moments” are a way to condense what we go through. However, I knew when Britt and I left the locker room after Kelli’s suggested "help" there would hardly be time on either side for extra practice. Fortunately, Brittany could come and help me with two of the ~18 dances we learned, but that was the extent of this last resort for my case. 

I had agreed to come to this last “better angle moment” at the stadium for an opportunity to arrive earlier than everyone else for practice time. This, however, was a grave mistake. We shot Brittany’s whole-hearted attempt at bettering my dance abilities twice. By the time we got back into the locker room, I had just enough time to change, ask Becca to fluff my hair, and quickly (frantically) run the two dances I thought we would be asked to perform, simultaneously praying for "Thunder" to be heard over the speakers. This was the song/dance for the stadium entrance and the ultimate "cheer," old school dance, and, of course, my favorite (regrettably, we were not asked to perform it). What did I not have time to do… eat.

The first task we were dealt with on the field was the DCC introduction. From the outside, this may seem like a basic, relatively straightforward combination. However, it was the very thing I had dreaded most all summer. Like the second round of auditions, you are taught something foreign and unlike anything you have tried. This is never going to end well for me. The arm movements are big, and when you mess up, it is obvious. The arm movements have similarities (up circle, down circle, right circle, HIT, up circle, out circle, right Hit, left Hit), making the sequence easy to forget. So, instead I seem to have kept my arms tight and tense and just look like I have no idea what came next. That is exactly how I felt, too.

I expected to not pick up the intro, what I did not expected was doing it until I got it right (well, until Judy realized I was never going to get it right at least). This required five tries down the field and five runs back to the in-zone. Mixing that with no food did not have a good result on the next leg of the night’s activities.  After the first dance, I felt like I was going to faint and quickly turned away from the stands after the music stopped. The second dance was worse; having to touch the ground more than once, I fell twice. Luckily, the wonderful crew gave me granola bars and helped me to the bench.  After inhaling the two bars and sitting still, I felt much better. But, if I didn't know it already, I knew it then; I had just signed off on my release from camp.

I joined the veterans to do the kick line; I was close to the middle and next to two of my favorite vets. I closed my eyes, looked down at the star, and up into the empty stands and thought, “You got close.”

Landing in the jump split with DCC veterans on each side of me and giving it my all once more in the face of adversity, I gazed past my fingertips and was proud. It has been almost four months since that night, and while I am so happy with my life, I am conflicted about how hard it truly is to give up. There is honestly no room in my life for one more responsibility, yet the fact I have to walk away with the goal twice at my fingertips is difficult. My nature is to push and push until I reach whatever I am working for. However, I can honestly say, for the second time… God always knows best. And for whatever challenge or dream is next in line, I had better prepare because I have a vendetta out for rising above the circumstances and reaching a seemingly unattainable goal.



I love this picture,  I am the only one walking through the moves as the vets show us how the kick line is supposed to look, and like always, I am sticking out from the crowd.




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